The Catherine Wheel, by Jean Stafford

This 1951 novel recalls sharply Virginia Woolf’s Mrs. Dalloway, which I read about a year ago. The Catherine Wheel spans a summer not a day, but moves back along the remembrances and regrets of its characters as fully and poignantly as Woolf’s. 

Cousin Katherine, unmarried, and fortyish though with hair turned white by a bout of typhus, summers in a grand house outside a small town near the Maine coast. Though the book is set in the late 1930s – early 1940s, Katherine’s life is anachronistic, as if by resisting modernity she can keep time itself from intruding. Instead of a car she has a carriage and team of horses and coachman, as well as a gardener, a cook, a couple of maids, and a tenant on her land. She is the grande dame of the region, respected and appreciated and gossiped-over by the townsfolk. 

Every summer Katherine hosts her twin nieces and nephew, who under her indulgent intellectual eye are free to do as they will. Andrew, now twelve, has been best friends with the tenant’s son Victor, a rough character a couple years older than himself, with whom he would otherwise never cross paths. In summers past they have been inseparable, performing mischief, fishing and clam-digging, swimming and boating, and spying on the townsfolk of the nearby village. This year, however, Victor’s older brother Charles, a sailor, is home with some nonspecific ailment; Victor appoints himself nursemaid and confidante. Andrew is inflamed with jealousy – he has lost his companion, and the hours weigh on him. He longs for Charles’s death, or recuperation and return to seafaring – either would give Victor back to him. 

But this is not to be – Charles’s health waxes and wanes, Victor is under his sway, and Andrew wishes ever more fervently that Charles will meet some terrible fate. Katherine has her own secret, but while she and Andrew suffer and sense each other’s misery, they cannot confide. Yet, their dual distresses unbalance the household, so that instead of Katherine’s firm grip on her emotions and Andrew’s youthful nature steadying them, they only grow worse in tandem. 

Woolf’s visitations into the pasts of her characters are no less perceptive and pointed than those Stafford brings to bear, and we have to ask ourselves: which turning was the one that changed our trajectory from a steady and hopeful one, to disaster? Which thwarted relationship warped our future, crippling our capacity to live our ideal lives? It is too late for remedy – one can only plan for a fitting end.

The Mountain Lion, by Jean Stafford

Ostensibly The Mountain Lion (1947) is a young adult novel, but although it is about children who become youths, it is not especially for children. Or maybe it is: the unblinkered viewpoints of Ralph and his younger sister Molly, third and fourth children of the widowed Mrs. Fawcett, are as unrestrained as the minds of children – their inner thoughts are often judgmental and hateful. Their older sisters, Leah and Rachel, are socially involved, vain, and in thrall to their fearful and overdramatic mother. 

Ralph and particularly Molly are steeped in contempt. We meet them at ages ten and eight, respectively, as they leave school together with nosebleeds resulting from a bout with scarlet fever. The fever seems not only to have shrunk and weakened their bodies, but perhaps the isolation together has also warped their minds, so that they will never manage the conformity of their mother’s father, Grandpa Bonney, a fat successful man (friend of Grover Cleveland!) or his lineage. Mrs. Fawcett’s stepfather, Grandpa Kenyon, a rancher and rough-hewn man-of-the-world, is Ralph and Molly’s ideal of an adult human; the rest they despise. 

Over the course of six years we watch the two change, grow up and apart, their alienation finally including each other. And yet, their spirits are simpatico in ways they will never be with anyone else. Stafford writes with an acid pen and this tale of childhood is harsh, though leavened with humor. In it are scraps of Molly’s compositions, for even at eight she knows she is a writer, composing poems such as Gravel:

 “Gravel, gravel on the ground 

Lying there so safe and sound, 

Why is it you look so dead? 

Is it because you have no head?” 

 And, at a dinner where their mother hosts the local preacher and his wife, we have this snippet of Ralph’s observation: “The horrible pastor looked at Ralph and for some reason winked his light green, reptilian eye. The boy trembled and looked away and this time glanced with ardent loathing at Mrs. Follansbee’s round puffy face whose vulgar snub nose complemented her husband’s downward curving one… Ralph wished both of them would get bubonic plague.” 

 If you think of children as kind and innocent, this book will appall you. All the same, it rings truer to their bloody-minded imaginings than sweeter stories. Reading this may rekindle memories of your own childhood: of wishing people dead or mutilated, of dividing human society into those few you can tolerate and the majority you despise, and dreading having to move among these adults as you become one yourself.